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<span id="openzim-page-title" class="mw-page-title-main"><span class="mw-page-title-main">Deep Note</span></span>
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</style><div role="note" class="hatnote navigation-not-searchable">"THX sound" redirects here. For the sound certification, see <a href="THX" title="THX">THX</a>.</div>
<div role="note" class="hatnote navigation-not-searchable">"The audience is listening" redirects here. For the album and song by Cut Chemist, see <a href="The_Audience's_Listening" title="The Audience's Listening">The Audience's Listening</a>.</div>
<p>The <b>Deep Note</b> is the <a href="Sound_trademark" title="Sound trademark">sound trademark</a> of <a href="THX" title="THX">THX</a>, being a distinctive <a href="Audio_synthesis" class="mw-redirect" title="Audio synthesis">synthesized</a> <a href="Crescendo" class="mw-redirect" title="Crescendo">crescendo</a> that <a href="Glissando" title="Glissando">glissandos</a> from a relatively narrow frequency spread (about 200–400 Hz) to a broader frequency spread (of about three octaves). It was created by <a href="James_A._Moorer" title="James A. Moorer">James A. Moorer</a>,<sup id="cite_ref-1" class="reference"><a href="#cite_note-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> a former employee of <a href="Lucasfilm" title="Lucasfilm">Lucasfilm</a>'s Computer Division (later known as <a href="Pixar" title="Pixar">Pixar Animation Studios</a>) in late 1982.<sup id="cite_ref-AboutTHX_2-0" class="reference"><a href="#cite_note-AboutTHX-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> The sound is used on <a href="Trailer_(promotion)" title="Trailer (promotion)">trailers</a> for THX-certified <a href="Movie_theater" title="Movie theater">movie theaters</a>, <a href="Home_video" title="Home video">home video</a> releases, <a href="Video_game" title="Video game">video games</a>, and <a href="In-car_entertainment" title="In-car entertainment">in-car entertainment</a> systems.
</p><p>The Deep Note was partially previewed on the opening track of the 1983 album <i>The Digital Domain: A Demonstration,</i> where it was included among sound effects that were combined with the Deep Note itself. The Deep Note debuted later that same year at the premiere of <i><a href="Return_of_the_Jedi" title="Return of the Jedi">Return of the Jedi</a></i> in L.A.<sup id="cite_ref-AboutTHX_2-1" class="reference"><a href="#cite_note-AboutTHX-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> <i><a href="Pitchfork_(website)" title="Pitchfork (website)">Pitchfork</a></i> notes that a similar sound previously appeared on <a href="Yellow_Magic_Orchestra" title="Yellow Magic Orchestra">Yellow Magic Orchestra</a>'s 1981 <a href="Electronic_music" title="Electronic music">electronic</a> album <i><a href="BGM_(album)" title="BGM (album)">BGM</a></i>, where the <a href="Ambient_music" title="Ambient music">ambient</a> track "Loom" has "a patiently ascending, two-minute-long <a href="Shepard_tone" title="Shepard tone">Shepard’s tone</a>" that anticipated the Deep Note.<sup id="cite_ref-Yoo2_3-0" class="reference"><a href="#cite_note-Yoo2-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup>
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<div class="mw-heading mw-heading2"><h2 id="Description">Description</h2></div>
<p>The U.S. trademark registration for the first version of the sound contains this description of it:<sup id="cite_ref-uspto-thxdeepnote_4-0" class="reference"><a href="#cite_note-uspto-thxdeepnote-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup>
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</style><blockquote class="templatequote"><p>The THX logo theme consists of 30 <a href="Part_(music)" title="Part (music)">voices</a> over seven <a href="Bar_(music)" title="Bar (music)">measures</a>, starting in a narrow range, 200 to 400 <a href="Hertz" title="Hertz">Hz</a>, and slowly diverging to preselected pitches encompassing three <a href="Octave" title="Octave">octaves</a>. The 30 voices begin at pitches between 200 Hz and 400 Hz and arrive at pre-selected pitches spanning three octaves by the fourth measure. The highest pitch is slightly <a href="Musical_tuning" title="Musical tuning">detuned</a> while there is double the number of voices of the lowest two pitches.</p></blockquote>
<p>In 1992, the Deep Note was registered as a trademark by the <a href="United_States_Patent_and_Trademark_Office" title="United States Patent and Trademark Office">United States Patent and Trademark Office</a>.<sup id="cite_ref-uspto-thxdeepnote_4-1" class="reference"><a href="#cite_note-uspto-thxdeepnote-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup>
</p><p>The sound is perceived as louder than it actually is; sound designer and re-recording mixer <a href="Gary_Rydstrom" title="Gary Rydstrom">Gary Rydstrom</a> explains that, "from a technical standpoint, 'Deep Note' just feels loud because it has a spectrum of frequencies that grows from small to large."<sup id="cite_ref-AboutTHX_2-2" class="reference"><a href="#cite_note-AboutTHX-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup>
</p><p>Although Moorer had initially claimed that the score consisted of about 20,000 <a href="Source_lines_of_code" title="Source lines of code">lines of code</a>,<sup id="cite_ref-moorer_5-0" class="reference"><a href="#cite_note-moorer-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> he subsequently corrected the statement and elaborated:<sup id="cite_ref-cdm_6-0" class="reference"><a href="#cite_note-cdm-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup>
</p>
<blockquote class="templatequote"><p>The original 30-year-old <a href="C_(programming_language)" title="C (programming language)">C</a> program is 355 lines, and the "patch" file for the synthesizer was 300 more lines. I guess it just felt like 20,000 lines when I did it.
Given that it was written and <a href="Debugged" class="mw-redirect" title="Debugged">debugged</a> in 4 days, I can't claim the programming chops to make 20,000 lines of working code that quickly. But, to synthesize it in real-time, in 1983, took 2 years to design and build a <a href="19-inch_rack" title="19-inch rack">19-inch rack</a> full of digital hardware and 200,000 lines of system code to run the synthesizer. All that was already done, so I was building on a large foundation of audio processing horsepower, both hardware and software. Consequently, a mere 355 lines of C code and 300 lines of audio patching set-up for the 30 voices was enough to invoke the audio horsepower to make the piece.</p></blockquote>
<div class="mw-heading mw-heading3"><h3 id="Millennium_version_(2000)">Millennium version (2000)</h3></div>
<p>In 1999,<sup id="cite_ref-7" class="reference"><a href="#cite_note-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> THX released the trailer <i>Broadway 2000</i> for the collaboration of the <a href="Dolby_Digital" title="Dolby Digital">Dolby Digital Surround EX</a> sound system. As a result, an entirely new Deep Note was made from scratch. In this version of the Deep Note, new voices were made using a similar process while voices from the previous version can be briefly heard. Aside from the trailer's appearance in theaters as well as on <i>The Adventures of Indiana Jones</i> DVD box set, the only other trailer that also uses this version of the Deep Note was a trailer made specially for the post-2000 home media releases of <i><a href="Terminator_2%3A_Judgment_Day" title="Terminator 2: Judgment Day">Terminator 2: Judgment Day</a></i>.
</p>
<div class="mw-heading mw-heading3"><h3 id="Remastered_version_(2005–present)">Remastered version (2005–present)</h3></div>
<p>In 2005, to coincide with the theatrical release of <i><a href="Star_Wars%3A_Episode_III_%E2%80%93_Revenge_of_the_Sith" title="Star Wars: Episode III – Revenge of the Sith">Star Wars: Episode III – Revenge of the Sith</a></i>, THX introduced a new trailer called <i>The Science of Sensation</i>, which featured a new version of the Deep Note, which is similar to the original, but voices from the <i>Broadway 2000</i> trailer were mixed together.<sup id="cite_ref-8" class="reference"><a href="#cite_note-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup>
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<div class="mw-heading mw-heading3"><h3 id="Regenerated_version_(2015)">Regenerated version (2015)</h3></div>
<p>In 2015, THX introduced a new trailer called <i>Eclipse</i>, which was accompanied by an updated, "Dolbyized" and more powerful version of the Deep Note, also created by Moorer.<sup id="cite_ref-9" class="reference"><a href="#cite_note-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> This version of the Deep Note was created entirely digitally so it could play on Dolby Surround 7.1, Dolby Atmos, and DTS:X systems, and Moorer created 30-second, 45-second, and 60-second versions of it.<sup id="cite_ref-verge042015_10-0" class="reference"><a href="#cite_note-verge042015-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> Moorer used around eighty voices in the remake, as opposed to thirty in the original 1983 version. He stated in an interview, "That's the way I wanted it to sound originally. I think it's as far as you can take it."<sup id="cite_ref-11" class="reference"><a href="#cite_note-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> <i>Eclipse</i> would be the only appearance of the regenerated version as starting with trailers <i>Sphere</i> and <i>Genesis</i> (both made to utilize the <a href="4K_resolution" title="4K resolution">4K video resolution</a>), the remastered Deep Note was used instead.
</p>
<div class="mw-heading mw-heading3"><h3 id="Previous_works">Previous works</h3></div>
<p>Prior to the creation of the Deep Note, several other works made use of similar techniques of frequency spread. A recognized predecessor is a section in <a href="The_Beatles" title="The Beatles">the Beatles</a>' 1967 song "<a href="A_Day_in_the_Life" title="A Day in the Life">A Day in the Life</a>", using a full orchestra. Unlike in the Deep Note, the resolving high chord is never held, but instead brought to a stop. Moorer has admitted that both "A Day in the Life" and a <a href="Fugue" title="Fugue">fugue</a> in <a href="B_minor" title="B minor">B minor</a> by <a href="Johann_Sebastian_Bach" title="Johann Sebastian Bach">Bach</a> were sources of inspiration for the Deep Note.<sup id="cite_ref-12" class="reference"><a href="#cite_note-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup>
</p><p>In their book <i>Analog Days</i>, <a href="Trevor_Pinch" title="Trevor Pinch">Trevor Pinch</a> and Frank Trocco say that the track "Spaced", from the 1970 <a href="Beaver_%26_Krause" title="Beaver & Krause">Beaver & Krause</a> album <i>In a Wild Sanctuary</i>,<sup id="cite_ref-13" class="reference"><a href="#cite_note-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> was "copied by a famous <a href="Marin_County" class="mw-redirect" title="Marin County">Marin County</a> film company" to introduce its film presentations, although they do not identify the company. The authors quote synthesizer builder <a href="Tom_Oberheim" title="Tom Oberheim">Tom Oberheim</a> as saying that the original analog form is much richer than the "digital perfection" evident in the sound logo so familiar to cinema-goers.<sup id="cite_ref-14" class="reference"><a href="#cite_note-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup>
</p>
<div class="mw-heading mw-heading3"><h3 id="Original_score">Original score</h3></div>
<p>In 2018, THX released a picture of the original 30-voice score, with notes.<sup id="cite_ref-15" class="reference"><a href="#cite_note-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup>
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<div class="mw-heading mw-heading2"><h2 id="Lawsuit">Lawsuit</h2></div>
<p><a href="Lucasfilm" title="Lucasfilm">Lucasfilm</a>, ex-owner of THX, sued rapper <a href="Dr._Dre" title="Dr. Dre">Dr. Dre</a> in 2000 for using an unauthorized <a href="Cover_version" title="Cover version">cover</a> of Deep Note in the opening track "Lolo (Intro)" on his 1999 album <i><a href="2001_(Dr._Dre_album)" title="2001 (Dr. Dre album)">2001</a></i>.<sup id="cite_ref-16" class="reference"><a href="#cite_note-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-17" class="reference"><a href="#cite_note-17"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup>
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<div class="mw-heading mw-heading2"><h2 id="In_popular_culture">In popular culture</h2></div>
<p>In a 1994 episode of <i><a href="The_Simpsons" title="The Simpsons">The Simpsons</a></i> titled "<a href="Burns'_Heir" title="Burns' Heir">Burns' Heir</a>", there is a parody gag of the Deep Note, with the <a href="Simpson_family" title="Simpson family">Simpson family</a> in the theater watching <i>Siskel & Ebert: The Movie</i>. The Deep Note causes multiple things in the theater to explode seemingly from <a href="Acoustic_resonance" title="Acoustic resonance">acoustic resonance</a>, and ends with <a href="Abraham_Simpson" class="mw-redirect" title="Abraham Simpson">Abraham Simpson</a> yelling "Turn it up!" THX executives liked the parody so much that the scene was later remade into an actual THX movie trailer, with the scene being redone in a <a href="Widescreen" title="Widescreen">widescreen</a> aspect ratio by <a href="Film_Roman" title="Film Roman">Film Roman</a>.<sup id="cite_ref-Mirkin_18-0" class="reference"><a href="#cite_note-Mirkin-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup>
</p><p>"Dumbest Girl Alive", the opening track on the album <i><a href="10%2C000_Gecs" class="mw-redirect" title="10,000 Gecs">10,000 Gecs</a></i>, by <a href="Hyperpop" title="Hyperpop">hyperpop</a> duo <a href="100_gecs" title="100 gecs">100 gecs</a>, begins with a sample of the THX Deep Note.<sup id="cite_ref-19" class="reference"><a href="#cite_note-19"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup>
</p><p><a href="Jacob_Collier" title="Jacob Collier">Jacob Collier</a> recreated the THX Deep Note in "100,000 Voices", the opening track to his 2024 album <i><a href="Djesse_Vol._4" title="Djesse Vol. 4">Djesse Vol. 4</a></i>. He discussed his inspiration and method of recreating the sound with an audience choir on the March 4, 2024 episode of <i><a href="Switched_on_Pop" title="Switched on Pop">Switched on Pop</a></i>.
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<div class="mw-heading mw-heading2"><h2 id="References">References</h2></div>
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</style><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.jamminpower.com/">"James A. Moorer Personal Website"</a><span class="reference-accessdate">. Retrieved <span class="nowrap">December 3,</span> 2006</span>.</cite></span>
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</li>
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<div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2></div>
<ul><li><a rel="nofollow" class="external text" href="https://thx.com/deepnote">Official Website</a> THX Official website about the Deep Note</li>
<li><a rel="nofollow" class="external text" href="https://uspto.gov/sites/default/files/74309951.mp3">Deep Note</a> mp3 at the United States Patent and Trademark Office</li>
<li><i><a href="Twenty_Thousand_Hertz" title="Twenty Thousand Hertz">Twenty Thousand Hertz</a></i> podcast episodes about Deep Note: <a rel="nofollow" class="external text" href="https://20k.org/episodes/thxdeepnote">Part 1</a> and <a rel="nofollow" class="external text" href="https://20k.org/episodes/thxdeepnote2">Part 2</a></li></ul></div><!--htdig_noindex--><div><div class="zim-footer">
This article is issued from <a class="external text" title="Last edited on 2025-07-26" href="https://en.wikipedia.org/wiki/?title=Deep_Note&oldid=1302593574">Wikipedia</a>. The text is available under <a class="external text" href="https://creativecommons.org/licenses/by-sa/4.0/deed.en">Creative Commons Attribution-Share Alike 4.0</a> unless otherwise noted. Additional terms may apply for the media files.
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